"Ah Xiang, Miss Zhao." Nan Yi greeted the two, sat down opposite them, and said to Wang Yan, "Ah Xiang, what do you want to talk to me about?"
Wang Yan laughed awkwardly and gestured to Zhao Min beside him, "It's not me who has a problem, it's Miss Zhao."
Zhao Min got the hint, smiled beautifully at Nan Yi, and said sweetly, "Nan Sheng, hello."
Nan Yi nodded, and before the other party could speak, he asked directly: "Miss Zhao, I heard that you and Xiang Sheng broke up?"
There aren't many secrets in Hong Kong's entertainment industry. Once there's a little movement, the whole city will know about it. The breakup of Zhao Min and Xiang Sheng is the top event of the year. Regardless of whether they are in the industry or not, everyone who needs to know knows about it.
Moreover, Nan Yi also heard that it was Zhao Min who proposed the breakup, and she was a little angry. She said something harsh in front of Xiang Sheng, probably saying that she could still gain a foothold in the Hong Kong film industry without Xiang Sheng, but it was obvious that she couldn't.
After leaving Xiang Sheng, Zhao Min invested in filming a movie. Before the filming was finished, the male lead left the crew on the grounds of schedule. The reason is self-evident. Now Zhao Min followed Wang Yan to see Nan Yi. It is easy to guess what she wants to do. Nan Yi must have a hole in his brain to get involved in the affair of a couple.
"Yes." Zhao Min nodded.
"That's it." Nan Yi responded without comment, and suddenly turned to Wang Yan and said, "Ah Xiang, the movie market is doing well recently, right?"
Wang Wei shook his head fiercely. "Not good. Ever since the Taiwanese film producers withdrew their investment in 1993, the film market has been sluggish. Now it just looks lively, but the market is not as good as before."
Nan Yi suddenly realized, "I was wondering, the Hollywood film producers are doing public relations in Taiwan, trying to get Taiwan to completely lift restrictions on Western films. The largest foreign cities are about to be raided, but Hong Kong is thriving and the situation is very good. I thought I got the wrong information."
"American film producers are doing PR in Taiwan?" Wang Yan exclaimed, "Successful?"
"I don't know, I just heard it accidentally. I don't care about this kind of news. In the past two years, I have started to pay attention to politics. I pay attention to news like the peacekeeping forces in Somalia, the British military patrols in Northern Ireland, and the Russian bombing of the Chechen capital. I only read about world politics and military in the newspaper. I haven't read entertainment reports for a long time."
Although Nan Yi seemed to be talking nonsense, he had actually hinted to Wang Li that he should pay attention to politics. As long as one thought from a political perspective, it would be easy to understand that the public relations of the American film producers would be successful this time.
Nan Yi was not pretending to be profound or an expert, but there were some words that were not suitable for him to say. What's more, his job was about to be lost, and Wang Li, the fat guy, was still in the mood to worry about other people's affairs. In his heart, he didn't want to make it too clear.
Hearing what Nan Yi said, Zhao Min couldn't help but complain in her heart: "What are you talking about?"
Wang Li seemed to be thinking about something, but he just couldn't grasp the main point.
Nan Yi didn't care whether Wang Li could grasp the key point or not, he just wanted to deal with the matter at hand quickly and leave early.
"Ms. Zhao, I roughly guessed why you came to me. There are thousands of paths in the world, not just making movies. Miss Zhao should have accumulated a lot of resources and funds over the years. She can still succeed in other businesses. There are many opportunities in the mainland now. You can go back to your hometown to take a look."
Nan Yi said, standing up and nodding to Wang Yan and the others, "Ah Xiang, Miss Zhao, I have some trivial matters at home, so I'll take my leave first."
After saying that, Nan Yi left the cafe in a hurry without giving the two a chance to try to stop him.
Just as Nan Yi was walking on the way back to Fang's manor, at the connection of the train carriages from Bincheng to Fengtian, Ding Mian, codenamed Blue and White Porcelain, and the mysterious woman, codenamed Winding Eagle, met.
Ding Mian: "Can you create an opportunity for me and Nan Yi to meet?"
Snake Vulture: “Not yet.”
Ding Mian: "What business does Nan Yi do in Fengtian?"
"Not sure yet." Wen Jiu said, handing a piece of paper to Ding Mian, "Nan Yi's movements in Fengtian, and the names of three companies related to Nan Yi."
After doing this, Wanjiu left the aisle and walked towards a carriage.
Ding Mian put away the note and walked to the opposite carriage. A man in a seat in the carriage saw Ding Mian and said, "Mr. Ding, it's your turn to get off."
"Chief Li, let me make a deal first. You can't regret your moves in this game." Ding Mian took two quick steps and said with a smile.
"Whoever regrets his move will be this..."
The man called Section Chief Li made a turtle-like crawling motion.
"A gentleman's word is his bond."
"It's hard to catch up with a horse."
It was another morning. Nan Yi spread a circle of cushions in the garden, took out a CD player to play a soothing forest recording, put Nan Ruoqi on the cushion, and took out a few colorful rattles for her to play with. He sat beside the cushion with a document in his hand. After looking at it for a few times, he would look up at his precious daughter for a while, for fear of missing any interaction between him and her.
Fortunately, Nan Ruoqi was obviously more interested in the rattle than his father. She shook the rattle in her hand a few times, observed it for a while, touched it here and there, and then put it in her mouth and chewed it.
The rattle was large and sturdy, made of food-grade plastic. Nan Yi let Nan Ruoqi, whose first baby teeth had not yet chew it. He was intoxicated by her limbs, which were plump but not as fat as lotus roots, and couldn't help but brag in his heart that he had a way of raising children.
While Nan Yi was intoxicated, the Intelligence Committee was holding a brainstorming meeting.
Cui Hongji from Huaiqing Research Institute: "Please look at the slides. These are the most popular movies and TV series in Japan from the 1970s to the present. In the 1970s, there were "Oshin", "Our Journey", "Blood Doubt", and "Crossing the Angry River"; in the 1980s, there were "Tokugawa Ieyasu", "Northern Love", "Kasuga Bureau", "Memories Manufacturing", and "Youth Family";
In the 1990s, there were "Wonderful Stories of the World", "Tokyo Love Story", "White Paper of Love", "Class Reunion", and "Tokyo Cinderella".
Please note that the most popular films I mentioned are not limited to those in Japan. Films that have caused popularity in other countries are also included, such as "Crossing the Angry River", which was called "The Chase" in China and once caused a great sensation.
Please look at the stills, and pay special attention to the changes in the actresses' makeup and the changes in the actors' looks, styles and clothing. Through comparison, you can discover the changes in popular trends in Japanese makeup and aesthetics, as well as the changes in the audience groups of Japanese TV dramas.
In the 1970s, Japanese TV dramas were mainly for all age groups; in the 1980s, they were mainly for housewives; in the 1990s, Japan's economy was in recession, and more and more full-time housewives had to go out to work, so teenagers became the main force of TV viewers. "Tokyo Love Story", "White Paper on Love" and "Classmates Reunion" are all TV dramas suitable for teenagers, among which female audiences are the main audience...
Japan is a country that loves beauty pageants. Every year, beauty pageants are held for various groups of people. Even schools hold beauty pageants for campus beauties and campus hunks. The selection criteria for each ranking are different, and the appearance of the champions also varies.
In different periods, the Japanese have different aesthetics. In the Asuka period, people liked plump faces and slender eyes; in the Nara period, people liked thick eyebrows, small mouths and slightly fat chins; in the Heian period, the most beautiful thing was long hair tied around the waist; in the Warring States period, heroic women were more popular; in the Edo period, the most ideal in Ukiyo-e was a straight nose and a small mouth; in the Meiji and Taisho periods, influenced by the West, people preferred three-dimensional facial features.
The Showa era was a golden age of contention among a hundred schools of thought.
Due to the war, people in the Showa era only began to pursue beauty after the war. Influenced by the development of photo and photography, the 1980s was also the heyday of Showa idols and the competition among hundreds of schools of thought. Well-known stars emerged, among whom Yamaguchi Momoe was the most well-known. Others included Sayuri Yoshinaga, Kyoko Koizumi, Akina Nakamori, etc. There was no unified standard for aesthetic conception at that time, and it could only be judged by temperament.
The aesthetic taste for women is usually determined mainly by men, but women themselves also play a certain role. Conversely, the aesthetic taste for men is usually determined mainly by women.
After the release of the movie "The Chase", China was influenced and had a new standard of aesthetics for men - tough guys. Men with a cold, tough, resolute and courageous appearance were liked by women.
Because of the change in aesthetic taste, Chinese audiences began to look at the country with disappointment. At that time, there were many handsome male actors in China, and Tang Guoqiang, known as the creamy boy, was a typical representative of them. His image formed the sharpest contrast with Ken Takakura, so he was subjected to the most fierce criticism from the masses.
Entering the 1980s, there were more and more tough guy images of male protagonists in Chinese film and television dramas, and thus a group of tough guy actors emerged.
In contrast, in Japan, the tough guy style only lasted for a short period of time before it died down, and was replaced by all kinds of feminine beauties.
Why did Japan, which once advocated tough guys, go down the path of effeminateness?
This has a lot to do with a person named Kitagawa.
In 1962, 31-year-old Kitagawa founded Johnny & Associates and transformed the members of his youth baseball team into a boy band, which caused a great response.
After the victory in the first battle, Kitagawa started to play the male idol card and formed a boy group called 'Four Leaves'. The four members are all handsome boys who can sing, dance, host and compose music. The captain can also do backflips.
Now, all the girls in Japan went crazy. They had never seen such artists before. The idol economy was about to emerge.
After more than ten years of development, Johnny & Associates has grown from strength to strength and has become a super giant in the Japanese entertainment industry. The aesthetic direction of the Japanese has also quietly changed.
This is a report I quoted from the Yomiuri Shimbun: Kitagawa personally selects about 200 teenagers aged 8-15 to join Johnny's every year to train them as reserve artists. Johnny's receives at least 400,000 applications from teenagers each year, and the highest number in a year is as high as 1.5 million.
Under his full efforts, he created many idol boy groups that are dazzling, such as SMAP, V6, KINKI KIDS, Arashi, Hey! Say! JUMP, etc.
As a result, Kitagawa was recognized by Guinness as the person who produced the most concerts in the world, and was also known as the person who produced the most number one singles in the world.
Since the 1980s, the idol trend has swept Japan, and the original tough guys have lost their market and been pushed to the margins.
Men's pursuit of image often changes because of women's eyes. When most girls are obsessed with feminine and beautiful men, it is hard for you not to change.
In March this year, Takuya Kimura, a popular male artist under Johnny's, endorsed a lipstick advertisement. The novel combination of handsome men and lipstick has a kind of enchanting beauty, which instantly set off the female group. So far, this lipstick has sold more than 3 million pieces. "
Cui Hongji pressed the remote control and continued, "From Kimura Takuya's lipstick phenomenon, our institute thought of men's makeup. At Shibuya Crossing, the busiest intersection in Tokyo, our institute observed for two months and found that the genes for Japanese men to wear makeup were awakening.
Yes, I said awakening.
Before the Heian period, makeup was exclusive to men. At that time, makeup could play a magical role and was called red makeup.
It was not until the Heian period that makeup culture entered a period of great change.
Following the advice of Sugawara no Michizane, the Japanese ambassador to the Tang Dynasty, Japan abolished the envoy system and began a closed-door policy. As overseas culture could not be introduced, domestic culture began to take root, and makeup culture was a representative example.
It was also during this era that women began to wear makeup. Noble women at the time would shave their eyebrows, cover them with thick white powder, draw two thick eyebrows, paint their teeth black with iron paste, and lightly touch their lips with a touch of red. Men would also cover their entire faces with this white powder and draw their eyebrows.
Since then, Japanese makeup culture has changed from red makeup symbolizing witchcraft to white makeup symbolizing nobility, and this process also coincides with the transformation from Wakoku to Japan.
Women's makeup has become a part of social etiquette, and after a period when men's makeup was considered abnormal behavior, it is also developing towards social etiquette in a small range.
X-Japan's lead singer, Hayashi Yoshiki, has always been known for his seductive image with heavy makeup, and the male idol groups of Johnny's Office also wear makeup. Due to the prevalence of idol culture, their images are very popular among young Japanese women, which has, to a certain extent, influenced the change in men's attitude towards makeup."
Choi Hong-je pressed the remote again, "Let's turn our attention to South Korea. From the Miracle on the Han River to the present, suits, watches and traditional tough looks are the norm. South Korea's compulsory military service has shaped and defined what people find attractive.
Men in pop music videos are mostly portrayed as gangsters, tough guys in detective movies, and rebellious young people in some TV dramas.
But this phenomenon has quietly changed since two years ago, a band group Seo Taiji and Boys was born in South Korea. They used the influence of rap, rock and technology and incorporated English into their music. They started the fan culture in South Korea.
Seeing their success, South Korean entertainment companies began to package and create new music genres of K-POP male and female bands, including the girl group Cool and the mixed vocal group Roora, which debuted last year.
According to information provided by the New Miracle Group, South Korean entertainment companies such as SM, DSP, YG, etc. have already recruited a large number of trainees, and it is believed that more groups will be launched in the next one or two years.
There is no doubt that there will be more idol groups with a focus on feminine beauty in South Korea, and the aesthetic taste for men is developing in the direction of beauty. In terms of film and television dramas, the newcomers that have emerged in South Korea in the past two years are also mainly beautiful. The more prominent ones are Bae Yong-joon and Ahn Jae-wook, both of whom have feminine images.
I have come up with a term 'flower boy', which refers to the image of a pretty boy and a gentle gentleman, a mixed or versatile masculinity that combines both softness and masculinity, which is different from femininity.
After years of market research, Xinsheng Plastic Surgery has come to the conclusion that South Korea is more and more accepting of plastic surgery. There are even cases where parents give their children a plastic surgery as a coming-of-age gift. Although this is a relatively extreme case, it is undeniable that plastic surgery is no longer a taboo in South Korea. It is becoming open and popular.
With the rise of fan culture, the acceptance of plastic surgery, and the change in women's aesthetic standards for men, there is a high possibility that the trend of men wearing makeup in South Korea will become popular before that in Japan.
In addition, due to historical reasons, in terms of economy, South Korea has always regarded Japan as an object to learn from, compare with and surpass, but in fact, in most areas, Japan is ahead of South Korea.
Now, a new economic crisis has emerged. For South Korea, which is heavily in debt, once this crisis comes, its economy will suffer a devastating blow, especially since many international hot money is waiting to reap South Korea’s profits.
Cui Hongji's words made other people in the conference room smile knowingly. Whenever talking about finance, international hot money would always be on the lips of the Nan family, but everyone knew in their hearts that the Nan family was the backbone of international hot money.
In the major international financial events of recent years, either the Nan family was directly involved or Nan family funds were involved. There is no doubt that Nan family funds have become a troublemaker in international finance.
"High foreign debt, business closures, currency depreciation, sharp decline in foreign exchange reserves, and rising unemployment are all inevitable phenomena in an economic crisis. What strategies will the Blue House adopt to help South Korea's economy get out of its predicament?
The second science and technology-based nation?
Or will it be supported by cultural foundation?
Support the development of idol groups from a policy perspective, first promote fan economy in South Korea, and then export it to other countries.
The president once said jokingly that one's worldview changes with one's senses. As South Korean idol groups become more and more famous abroad, fans will like the groups and, as a result, will like South Korea, which will in turn boost South Korea's tourism economy to a certain extent.
Next, I will talk about the changes in Japan’s fashion aesthetics over the past thirty years..."
Choi Hong-ji gave a long speech covering everything from clothing, makeup, lifestyle to brands.
Before coming to the meeting, Huo Yuanbo, the director of Huaiqing Research Institute, gave him some instructions. Since its establishment, Huaiqing Research Institute has spent a lot of funds, but has always been doing auxiliary work such as providing data and analysis. It is a veritable sponsored unit.
This won't work. Huaiqing Research Institute must strive for self-sustaining income and must fight for a leading position in this plan.
After nearly an hour, Cui Hongji finally finished what he had prepared, and Liang Huiwen took over and began to speak, "Not long ago, Nansheng proposed a vague plan to reshape the consumption concept of Asian women, the Big Heroine Plan, to build a new dumping ground for our Nan's products around women, a dumping ground that breaks through geographical restrictions and is divided only by population.
This is a plan involving the entire industry chain including credit cards, micro loans, milk tea, coffee brands, clothing, cosmetics brands, jewelry, real estate, automobiles, snacks and beverages.
This plan needs to be completed in three parts:
1. Industrial layout.
We select brands related to women and with considerable profits to invest in. If there is no suitable brand to support or build on our own. Nanyi will take what it can afford, and if it cannot, it will cooperate with other capitals to build a big female alliance, to carefully care for the growth of women and to carry the burden for women.
Second, support for women’s rights.
Support well-known feminists and let them export feminist ideas according to our needs.
3. Film, television, literature and copyright.
Film and television dramas, as well as the fan culture that Choi Hong-ji just mentioned, are good ways to instill consumption concepts in women. We will develop plans in the film and television and music fields in Japan, South Korea, and China.
We will build our Nan's star-making system in three countries through a combination of equity investment, acquisition and self-construction. At the same time, we will absorb literary copyrights from a female perspective and establish our own intellectual property production factory, which I call the IP plan.
President Yuan, China's IP plan and film and television drama implementation will be handed over to your Tangqianyan Group. Urge Wangbei Media Group to come up with a feasible plan as soon as possible."
"Yes." Yuan Tianfan nodded.
"President Nan, your New Miracle Group will be responsible for the South Korean portion. Likewise, come up with a feasible plan as soon as possible."
"yes."
Nan Jiajun's voice came from the intercom.
"President Ikeda, the Japanese portion will be handled by Ikeda Company, same as above."
"Hayi."
"Strategy team, please further refine, refine, and decompose the plan. I want to see a decomposable and executable plan within three months."
"Yes, Madam."
"Cui Hongji, tell Huo Yuanbo to report to the Intelligence Committee as soon as possible."
"yes."
Cui Hongji's face was full of excitement. He asked the director to report on his work. It should be that the vice chairman was preparing to let Huaiqing Research Institute join the plan.
While the Information and Planning Committee was busy formulating a major plan, Nan Yi was playing "Original Scenery of Hometown" on his harmonica affectionately for his baby daughter. Since he didn't have an ocarina, he could only make do with the harmonica, and he didn't know how to play the ocarina anyway.
"It seems that the filming of The Return of the Condor Heroes has been almost completed and it will be aired soon. Once it is aired, The Original Scenery of Hometown should also become popular in China. If I learn to play the ocarina now, it will be easy to pick up girls."
Nan Yi was daydreaming, and Nan Ruoqi stretched out her little hand towards him, as if she wanted to take his harmonica.
"Want this, baby?"
Nan Yi handed the harmonica to Nan Ruoqi, but Nan Ruoqi stretched out her hand and tried to knock it down. Then her upper body shook, she danced and babbled.
Nan Yi understood that this was because she disliked the way he played the flute.
"Come on, another black-hearted little girl. If you dislike me now, what will happen in the future?" Nan Yi complained. He walked to the CD player and put Sojiro's CD into the machine. "Okay, let me let you listen to the original version."
Around noon, Nan Yi received a summary of the morning meeting minutes of the Information and Strategy Committee. He read it through and raised a few notes and opinions in his reply email. Suddenly, he became interested and started to think of the plot of a melodramatic TV drama in his mind.
Azhen, a 38-year-old petty bourgeois female worker in the workshop, falls in love with Ahai, a Phoenix man in the factory office. Aqiang, an 18-year-old rural worker in the workshop, is deeply in love with Azhen.
One day, Ah Zhen and Ah Hai broke the taboo and had a secret affair in the factory office. They were caught by Ah Hai's wife, and their affair became a hot topic in the factory.
Soon, Ah Hai was sent to university for further studies through his father-in-law's connections. Although Ah Zhen received a light punishment, she was too embarrassed to stay in the factory, so she could only rent a house outside and make a living by pasting matchboxes every day.
Although Ah Zhen became a slut, Ah Qiang still loved her. Every day after work, he would run to Ah Zhen to help her and bring her some delicious food. The wages of young workers were not high, and Ah Qiang spent all his money on Ah Zhen, so he had no money to send home, and his younger brother had no money to pay for tuition.
A few months passed like this, and Azhen was finally moved by Aqiang. To repay Aqiang, she married him and gave him a buy-one-get-one-free deal, along with a big belly.
After marriage, Aqiang was devoted to Azhen. Not only did he stop sending money home, he also spent very little money himself. He was reluctant to spend money on food and clothes, and saved all his money to support Azhen's health.
Unfortunately, his meager income could not even provide Ah Zhen with the crucian carp and spareribs she needed. A Qiang, who was desperate to make money, found a way to engage in speculation. Unexpectedly, A Qiang was helped by God and his business flourished. He soon earned the name "Qiang Ye" in the underworld.
Aqiang is very prestigious outside and he always keeps his subordinates busy all day long. But as soon as he gets home, he immediately turns into a househusband. He not only has to cook for his wife and children, but also has to massage Azhen's body and wash her feet. He also has to find ways to get Azhen rare things, such as chocolate, coffee, beautiful clothes, foreign tapes and so on.
As a petty bourgeois, Azhen quickly got used to drinking coffee. She would drink a cup of coffee every afternoon without fail. She was also very satisfied with Aqiang's consideration for her. Although Aqiang had a low level of education and did not know how to say romantic words of love, she was content.
If life is uneventful, it would be nice to live like this. Unfortunately, there are no ifs in this world. One day seven years later, Ah Hai came back, not from other city, but from a foreign country, Mike. Not only was he dressed stylishly and looked rich, but his conversation was also very classy. He said Hello when he opened his mouth and NoNo when he closed his mouth. He called coffee "Coffee" instead of "Coffee" and called Ah Zhen "Honny" as soon as he saw her.
Azhen has lived in an unromantic environment for seven years and she needs romance so much.
Although Ah Hai wanted to rekindle his relationship with Ah Zhen, Ah Zhen was very grateful to Ah Qiang and she was very conflicted. But who knew that Ah Hai was serious this time and was unyielding and persistent. After a long 749 minutes, Ah Zhen finally succumbed, right on the double bed that Ah Qiang had made himself.
After two or three episodes of entanglement, Aqiang, who was madly in love with Azhen, chose to let go. Ahai and Azhen lived together, leaving Aqiang to take care of his "son" Xiaohai.
The spring breeze of reform is blowing everywhere, and there are opportunities everywhere in China (spend half an episode singing its praises). In the good times, Aqiang's business is growing bigger and bigger, and he soon becomes a real estate tycoon and a wealthy bachelor.
On the other hand, the situation was not so good for Ah Zhen. Since she came to the United States with Ah Hai, she had to do heavy work in a Chinese restaurant every day. Moreover, although Ah Zhen had a pretty face and looked young, her age was there after all. It only took Ah Hai two years to get completely tired of Ah Zhen. He turned around and started dating a younger man outside and beat Ah Zhen at home.
Before long, Azhen was diagnosed with cancer (specific symptoms to be determined). When Ah Hai learned that Azhen was ill, he kicked her out. With nowhere else to go, Azhen was desperate and thought about committing suicide. So, she planned to see her son and Aqiang, who loved her deeply, before she died (to create room for the audience to imagine that Azhen would go back and continue to look for someone to take advantage of her).
A few days later, the old, ugly and sickly Azhen found Aqiang, who was in his prime and full of vigor and vitality, and was accompanied by a young and beautiful secretary (who loved Aqiang deeply and was a good helper to Aqiang in business). After Xiaohai's negotiation, Aqiang accepted Azhen again, and in order not to let Azhen worry, he gave the beautiful female secretary some money and let her leave.
In order to cure Ah Zhen, Ah Qiang made inquiries and found the Third Biopharmaceutical Company (Buer Pharmaceuticals, to be confirmed). He spent 50 million to buy a new drug that was still under trial. Unexpectedly, this drug really cured Ah Zhen's disease.
…
On July 1, 1997, Aqiang and his family of three sat in front of the TV, watching the scenes on TV, feeling inexplicably excited. Azhen turned around and looked at Aqiang, whom she had loved all her life, and whispered, "Return!"
Ah Qiang also turned his head and looked at the wrinkles on Ah Zhen's face lovingly, "Reunion!"
Thinking of this, Nan Yi went over the entire story he created in his mind, and then nodded with satisfaction, "Good story, a first-class good story, enrich the plot, and insert a few hundred advertisements, it's perfect.
How to make a theme song?
Ah Zhen fell in love with Ah Qiang on a night when she was pregnant... Uh, it sounds familiar, it's probably not my original work, never mind, I'm not a professional, I'd better leave it to professionals."
Soon, Nan Yi conceived two more stories in his mind. One was "Two Families in the Hutong", which was about two families living in an alley. One family lived in a spacious house with a loving father and filial son, and friendly brothers and respectful younger brothers. The other family lived in a cramped house with all kinds of grudges between the mother-in-law and the daughter-in-law, and the sisters-in-law were dirty. The play was going to give the audience various hints about the benefits of buying a house.
At the end of the story, the old city was renovated and both families were allocated spacious houses. It was a happy ending amidst all the praises.
Another story, "Best Friends", tells the story of two best friends. One married for love, but suffered all kinds of hardships after marriage, and her husband cheated on her. The other married for conditions, and after some adjustment, they lived a respectful and loving life, and were able to enjoy all kinds of high-end products (in order to product placement, this part of the plot should be expanded as much as possible).
At the end of the story, the "condition" husband helped the "love" husband, and the "love" husband also built his own career and repaired his broken marriage. In 1999, the two families sat together, toasting and watching the return live broadcast.
Finally, the two husbands looked at their wives' pregnant bellies and said meaningfully in unison, "We are only one step away from a happy reunion."
"Daddy, ah ...
"Oh, baby, what's up, do you want to pee or poop?"
Hearing his daughter's call, Nan Yi responded quickly. After some trouble, Nan Ruoqi was hungry again, so Nan Yi fed her, cleaned her up, and played with her. With just a glance, Nan Ruoqi could make Nan Yi run around in circles.
In the afternoon, Nan Ruoqi fell asleep while blowing bubbles, and Nan Yi finally found his true self.
He started to care about Ruan Mei and called her. It was Sister Zhou, who was previously called an agent but was actually a bodyguard, who answered the phone. She said that someone had given Ruan Mei a song that she really liked, and that whether it was an exchange or a favor, she should be the heroine in someone else's MV.
Ruan Mei doesn't like filming, but she is very passionate about music. She will occasionally release a single, but without any promotion. It will only be ranked on the radio and she won't release any records. She does it purely for fun and to maintain the label of singer Ruan Mei.
Nan Yi didn't take it too seriously after hearing what Sister Zhou said. Everyone has their own hobbies, so he thought about calling Ruan Mei later. Nan Yi didn't know that someone was showing up at the MV crew, someone who was trying to steal his girl.
In the MV crew of "Passenger", Ruan Mei wore a translucent white ancient-style dress, which made her look graceful and her curvy figure faintly visible, very charming. She stood in front of a fence, pretending to stare at her lover with sadness in her eyes.
Ruan Mei was originally performing to the air, but suddenly a man with a faint smile and flowers in his hands appeared opposite her.